Thursday, March 3, 2011

Why The Wall

In August, 1969, my 23-year-old mother drove west with her husband and their month-old son in their ’68 Volkswagen from Ft. Campbell, Kentucky.  Back home to Kern County, after my dad’s year in Vietnam and honorable discharge from the Army, to make a home with her new family.

In the coming decades, my mom made that home, helped raise two sons and weathered the ups and downs, joys and sorrows of a typical American life.  She welcomed two brides into the family as daughters, cared for other people’s children and settled into a well-deserved retirement with my dad.  She’s the happy grandmother of four grandkids.  She’s lived most of her life, a lifetime, since 1969.

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In the month Mom was coming home on Route 66 to begin the next phase in her young life, a happy-go-lucky neighbor and Wasco High classmate two years her junior was beginning his tour of duty as a combat medic with the U.S. Army 5th Special Forces Group, Vietnam.
 
Had he survived his tour, his story from that point wouldn’t have been the same as my mother’s, but probably wouldn’t have been all that different.  I don’t know if he would have gone to medical school, or Bakersfield College, or to work as a Pontiac salesman.  Maybe he would have married and had children and grandchildren.  Maybe, having seen and done more than most people twice his age, he would have left his hometown behind and burned brightly across the firmament.  Or perhaps simply made a quiet, honorable life in small-town Kern County.  Maybe he’d have found a cure for cancer or maybe just vanquished the crabgrass.  But no matter what twists and turns his life would have taken, he should have had a life, should have lived, like my mom, a lifetime beyond the year 1969.

After all, he was just 20 years old then, barely a grown man.  Not old enough to vote or even take a legal sip of beer.  But on December 1 of that crazy, climactic year, as my parents got ready for their baby’s first Christmas, at a time when this young man’s life with all its unrealized promise and possibility had just barely begun, it ended in an mortar attack in the Quang Duc Province of the Republic of Vietnam.  And instead of Who’s Who in American Business or the minutes of school board meetings or the Family Practitioner section of the Yellow Pages, the name Stephen Leon Ragsdale is etched in Panel 15W, Line 014 of a long, black granite wall.

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There are at least 1,006 other names that will join Sgt. Ragsdale’s on Kern County’s own Wall.  Each one represents a life full of limitless potential that should have been lived to the fullest but instead was cruelly abbreviated.  Each is a story never finished and never told.  Like my mother, each should have experienced his share of successes and failures, love and loss, satisfaction and regrets.  Each should have been entitled to graying hair, growing waistlines and the other unwelcome trophies of middle age.  Each should have been remembered not only in faded photographs and eight millimeter home movie film and the failing memories of elderly parents and middle-aged siblings and high school friends, but in adult accomplishments and ceremonies and good times and milestones, and in the hearts of children and grandchildren.  Although they achieved much, their lives were too short for any of their names to be engraved on a Lifetime Achievement Award.  So let us, the people of Kern County, engrave them on something meaningful and lasting and worthy of their sacrifice, where we and our children can come and reflect on the meaning of service, the importance of gratitude and the fragility and brevity of life, and where we can let them know they are still not forgotten.  Let’s all give what we can to finish the Kern Veterans Memorial Wall of Valor.

Kern Veterans Memorial Foundation
(661) 201-3987
e-mail: info@kernvets.org
www.kernvets.org

Tuesday, March 1, 2011

Duke Snider, 1926-2011

In the 1950s, New York was the Capital of Baseball, and three teams, the New York Yankees, New York Giants and Brooklyn Dodgers seemed to hold sway over the game and the imaginations of fans (back in the pre-internet/24-hour cable news coverage/overexposed superstar days, when fans' imaginations were an essential part of experiencing the game).  Three of the biggest stars of the era were the teams' respective center-fielders, Mickey Mantle, Willie Mays and Edwin "Duke" Snider, who died Sunday at the age of 84.

To the casual fan, Mantle was the game's greatest slugger, Mays, its all-time greatest all-around player, and Snider... well, the name is vaguely familiar but does not really compute.

Too bad, and not only because for the throngs of fans that lived and died by the outrageous fortunes of "Dem Bums," whether scaling the centerfield wall to snuff out home run hopes, knocking a hard but graceful liner over the right field wall, or donning top hat and monocle to ham it up for the camera, Number Four, The Duke of Flatbush, was royalty.  During the time when the three of them played concurrently, big, powerful Snider led in home runs and RBI, and though which one was the best centerfielder of the '50s is a debate for the ages, the Duke himself stated at his 1980 Hall of Fame induction that since the three of them were now there, it didn't really matter.

More important to me than his stats, and they were good, is what he represents.  He is the last regular position player of Roger Kahn's famed "Boys of Summer" of the Dodgers of the '50s to pass on, joining Carl Erskine, Carl Furillo, Gil Hodges, Roy Campanella, Jackie Robinson and Pee Wee Reese. He was one of the last living links to a time when kids dodged cabs and played stickball near open hydrants in the streets of Crown Heights and Bensonhurst and sat on fire escapes or in open bedroom windows to listen to the Dodgers on transistor radios when they weren't sneaking into Ebbets Field to catch a Saturday doubleheader.  (Back when working families could afford to go to big-league games and kids actually could sneak into a major league ballpark).  A time before Walter O' Malley ripped the heart out of Brooklyn and became a hero to grateful Southern Californians.  Before free agency strained the moorings between players and fans, before the designated hitter sheltered American League pitchers from having to stand at the plate and take their cuts, and before unnaturally augmented sluggers looked like linebackers and fouled the record books with asterisks.

That's why baseball fans everywhere are sad at the passing of Duke Snider.  So long, Duke.  Say hi to my grandparents (die-hard Dodger fans) for me.  You'll find them at that great Ebbets Field in the Sky, probably chatting to Campy from behind home plate.

Friday, February 25, 2011

New blog. Alert the media.

Hey, insomniac who wandered here by mistake, or the two who showed up on purpose.  Here's where I stow the stuff in my head, to prove there's something there.  No guarantees, implied or otherwise, on the quality of the content.  I just got done dumping most of the essays and stuff I've written and kept, because an empty blog is sad.  A full one may be just as sad, or worse, but it doesn't give off a hollow sound when you hit it.

Book Review: Brothers in Arms, The Epic Story of the 761st Tank Battalion, WWII’s Forgotten Heroes

Book Review: Brothers in Arms, The Epic Story of the 761st Tank Battalion, WWII’s Forgotten Heroes

In the flush of outrage and patriotism in the days and months following the Japanese attack on Pearl Harbor, Americans by the hundreds of thousands volunteered to serve in our nation's armed forces. It was no different for black Americans, who were ready to fight for their country, even one that still treated them as decidedly second-class citizens.  Eager to maintain the support of black citizens for the war effort, the government attempted to placate them by accepting blacks into the still racially segregated armed services in support roles such as cooks, mechanics, quartermasters (supply troops) and the like, while never actually intending to let them fight.  This is well-known, but to this day, a myth persists that no blacks fought in combat during World War Two, except perhaps in isolated instances such as the famed Tuskegee Airmen of the 332nd Fighter Group.  But in fact, driven by the urgent need for combat replacements in the last year of the war, tens of thousands of black soldiers fought and were killed and wounded in front line combat, mostly in all-black units.  The 761st Tank Battalion was just such a unit.

With Brothers in Arms, The Epic Story of the 761stTank Battalion, WWII's Forgotten Heroes, NBA Hall of Famer and historian Kareem Abdul-Jabbar, Author of On the Shoulder of Giants: My Journey Through the Harlem Renaissance, and co-author Anthony Walton, finally do justice to the remarkable but almost completely unknown story of the 761st Tank Battalion, whose motto was "Come Out Fighting!"

Highly trained, but manning poorly-designed Sherman tanks that were in many ways mobile death traps and were in all ways under-armored and outgunned by the vaunted German Panzers, the 761st fought their way over 2,000 combat miles from the hedgerows of Normandy to the concentration camps of Mauthausen.  You could say they had to fight a two-front war - not only against the best Nazi Germany could throw at them, but also the worst to which some of their own countrymen could subject them. Both in stateside training and European combat, they fought to overcome indifference, stereotypes, outright racism and even violence.  They struggled against mistrust, disrespect, disdain, ignorance, doubting leaders, poor leadership and tactics, neglect and exhaustion.  They dealt with the ambiguous and contradictory feelings toward them personified in their erstwhile commander General George S. Patton, who had made it plain in past writings that he thought blacks couldn't think quickly enough for armored warfare, yet was willing enough to have their support in critical battles.  They fought for weeks and months without more than a day's break from combat, adequate winter clothing or even a change of uniform. To drag a wounded comrade to safety under fire or to scout ahead or attack German positions on foot was nearly an everyday occurence.  Rather than being part of a self-contained armored division staffed with infantry trained to support tank operations, the 761st Battalion was a detached unit (known to themselves and the rest of the Army as a "bastard" battalion) that was shuffled around different armored or infantry units according to need or the whim of commanders.  They would be placed alongside an all-white unit whose reactions to them ranged from caution to outright contempt, and win most of them over with their courage, skill, dedication and humanity, demolishing stereotypes that blacks weren't brave or intelligent enough fight or lead.  Then they would be abruptly bounced to another unfamiliar unit and have to start again from scratch, suffering the crushing indignity of going from heroes and life-savers one day to "n----r tankers" the next.

Through it all, they fought with unheralded but unexcelled valor and determination, and often with conspicuous gallantry.  And when they returned home, sure that their bravery and sacrifices in blood and lives would open America's eyes to their worth as men and finally gain them full participation in American life, they found a country mostly eager and determined to go on as if they had never even set foot overseas.  Their status as an unattached unit hampered record keeping, as did "lost" commendations and paperwork and old stereotypes, to the extent that even other black Americans refused to believe that they had fought at all, let alone from inside the iconic Sherman tank. Their skill in maneuvering thirty-two ton tanks through difficult terrain and demolishing German fortifications and machine gun teams with 75mm armor-piercing shells did little to prepare them for the postwar workforce and the reluctance of white managers to hire them, even after some obtained college degrees.

It would have been little wonder had they given up and retreated into bitterness and disillusionment.  But instead, we see in almost all of them a determination to start families and make new lives for themselves.  (We also see that men whose courage had been forged in bitter fighting against elite German armored units and SS troops were not easily intimidated by jeering crowds and phalanxes of police with nightsticks, dogs and fire hoses).  What is surprising is that so many people had to work so long and hard for them to receive the recognition that should have been theirs from the beginning.

While not without minor flaws, such as the need for more maps, the thoroughly researched and well-written "Brothers in Arms" illuminates an important part of black history and American history (including the history-shaping involvement of one John Roosevelt Robinson with the unit).  The experience of the black serviceman in World War II is an important prelude to the Civil Rights struggles of the '50s and '60s.  It's hard to read this account knowing that what they went through was part of a fight that would stretch on for another two decades. It's hard, knowing they thought they had won peace for their children, but their children would have to continue the struggle.

"Brothers in Arms" also retells an important part of military history.  The flawed and bloody campaign for the Saar, a low point in Patton's career, has been almost completely overshadowed by the Battle of the Bulge and the final drive through Germany (in both of which the 761st also fought) and receives deserved attention here.

But I recommend "Brothers in Arms" simply because the men of the 761st Tank Battalion, as well as all black WWII veterans, deserve for their story to be told.


Favorite Feel-Good Songs

January 22, 2011 

Some of my favorite feel-good songs
What a Wonderful World, Louis Armstrong
Dock of the Bay, Otis Redding
Cherry, Cherry, Neil Diamond
Good Vibrations, the Beach Boys
Brown-Eyed Girl, Van Morrison
Here Comes the Sun, The Beatles
Drift Away, Dobie Gray
I can See Clearly Now, Johnny Nash
Three Little Birds, Bob Marley
Lean on Me, Bill Withers
Peace Train, Cat Stevens
Love Train, the O'Jays
Sweet Home Alabama, Lynyrd Skynyrd (not Kid Rock's ripoff of that song + Werewolves of London)
Everybody's Everything, Santana
Sir Duke, Stevie Wonder
Peaceful, Easy Feeling, The Eagles
Questions 67 & 68, Chicago
Kodachrome, Paul Simon
Just Like Starting Over, John Lennon
Watching the Wheels, John Lennon
Easy, the Commodores
Let's Go, The Cars
Just Like Heaven, The Cure

I left off some obvious ones.

Christmas Songs - Definitive and Favorite Versions

December 24, 2010

My favorite versions of Christmas Songs.  Your results may vary...


Adeste Fidelis                                                      Bing Crosby
All I Want for Christmas Is You                           Mariah Carey
Baby It's Cold Outisde                                         Dean Martin
Blue Christmas                                                     Elvis Presley
Breath of Heaven (Mary's Song)                         Amy Grant
The Christmas Song                                            Nat King Cole
Christmas Time Is Here                                       Vince Guaraldi Trio
Do They Know It's Christmas?                             Band Aid
Feliz Navidad                                                       Jose Feliciano
Frosty the Snowman                                           Jimmy Durante
God Rest Ye Merry Gentlemen                            Bing Crosby
Grown Up Christmas List                                     Amy Grant
Happy Xmas (War is Over)                                 John Lennon & Yoko Ono
Have a Holly Jolly Christmas                               Burl Ives
Have Yourself a Merry Little Christmas              Judy Garland
Heaven Came to Earth                                          2nd Chapter of Acts
Here Comes Santa Claus                                    Gene Autry
I'll be Home for Christmas                                   Bing Crosby
It's the Most Wonderful Time of the Year           Andy Williams
Jingle Bell Rock                                                    Ritchie Valens
Let it Snow                                                          Dean Martin
The Little Drummer Boy                                       Harry Simone Chorale
March of the Toys                                               The Philadelphia Orchestra
Mele Kalikimaka                                                    Bing Crosby with the Andrews Sisters
Merry Christmas Darling                                      The Carpenters
O Tannenbaum                                                    Nat King Cole
Rockin' Around the Christmas Tree                     Brenda Lee
Rudolph the Red Nosed Reindeer                       Gene Autry
Santa Baby                                                          Eartha Kitt
Santa Claus is Coming to Town                           Frank Sinatra
Sleigh Ride                                                           Arthur Fiedler and The Boston Pops Orchestra
The Night Before Christmas                                 Amy Grant
There's No Place Like Home for the Holidays       Perry Como
Walking in the Air (from the film "The                  Peter Auty
Snowman" http://www.youtube.com/watch?v=ubeVUnGQOIk )


White Christmas                                                  Bing Crosby
White Christmas                                                  The Drifters
Winter Wonderland                                             Amy Grant
Wonderful Christmastime                                    Paul McCartney

Rights in the Absence of a Transcendent Creator

October 20, 2010

"The sacred rights of mankind are not to be rummaged for among old parchments or musty records.  They are written, as with a sunbeam, in the whole volume of human nature, by the hand of the divinity itself, and can never be erased."
Alexander Hamilton,
The Farmer Refuted (1775)

"We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain inalienable Rights, that among these are Life, Liberty and the pursuit of Happiness..."

If the President of The United States includes "endowed" but purposely and conspicuously omits "by their Creator" (as he has several times) when quoting the Declaration of Independence, then by whom or by what does he suppose men are endowed with rights? And if that who or that what isn't bigger than man's power to oppress, tyrannize, injure, kill and take by force, then what, exactly, makes any rights inalienable? A "right" that is not inalienable is no right at all; it is nothing more than a privilege, granted by the strong to the weak, which can be altered or rescinded at any time at the whim of the grantor. Which was exactly the situation against which America's founders rebelled when they declared their inependence from King George III.